{single} Okina Reika & Hikita Kaori – Tsuki no Curse/Michiyuki

December 11, 2009 at 12:39 am | Posted in Hikita Kaori, Kajiura Yuki, Music, Okina Reika | 2 Comments


Okina Reika & Hikita Kaori – Tsuki no Curse/Michiyuki
翁鈴佳 & 引田香織 – 月の呪縛(カース)/みちゆき

(released May 25th, 2005)

1. 月の呪縛(カース) [Tsuki no Curse]
2. みちゆき [Michiyuki]
3. 月の呪縛(カース) (karaoke)
4. みちゆき (karaoke)

Okina Reika’s first (and only) single and Hikita Kaori’s debut single. Both songs were used in the anime Loveless (Tsuki no Curse as the opening, Michiyuki as the ending) and both were composed by Kajiura Yuki.

I’m not making fun of Okina Reika when I say she’s a one-hit wonder since she literally hasn’t done anything else. Tsuki no Curse opens with Okina singing slowly, then the guitars rev up and the song really starts. The melody is catchy, and while I found Okina’s belting a bit too nasal for my liking upon first listen, it’s grown on me and I can’t imagine anyone else singing it. I think the best parts of the song take place near the end – the bridge section with all the Kajiuran backing vocals taking the spotlight (I liked them throughout the entire song, actually), the guitar solo, then Okina coming back with subdued accompaniment before the final chorus. I also like the lyrics Kajiura wrote – they’re beautiful in a dark, isolated way (they almost seem to be from Soubi’s perspective). My favorite part (translated) is “in a world without words, we speak of love”.

Hikita Kaori’s Michiyuki is a gentle ballad, with lyrics (again by Kajiura) about finding love in a cruel world (they fit the nature of Soubi and Ritsuka’s relationship very well). They’ve got even more impact than Tsuki no Curse’s due to the Hikita’s vocal delivery. She doesn’t have a very powerful or distinct voice, but it’s warm and soothing and covers the dynamics in the song well. I love the lilt she does during the chorus peak the most – it almost sounds like she’s crying, but oh so quietly…Arrangement-wise, I prefer the piano and strings in this to the guitars in the A-side, and I’m glad that the echoes and choir vocals aren’t overdone here. Michiyuki also ends beautifully – Kajiura’s opted to wind the song down and use the verse melody, then the song’s string intro, and finally only piano at the end – the song closes as it has opened, giving the listener the impression of a dream.

Overall Grade: A

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